Success Stories

Stories from people using Sing & See in their voice training

If you would like to contribute something please add your own story here


Using Sing & See in Barbershop

Posted on February 3rd, 2012 by admin

As I’m sure you know, the barbershop style of music, and especially the “ringing” of chords, demands that each member of the quartet be on the same pitch and have the same vowel sound.

I use Sing and See to check my pitch on songs while practicing my part alone, especially on those songs where I have a bass pickup notes, to ensure that I am exactly on pitch. The visual feedback helps tremendously in establishing the correct pitches into my brain muscle memory, much more so than trying to match a pitch pipe.

I also use the spectrogram to check the vowel matching of the quartet. We can easily see when the chord is ringing by the explosion of color all the way up the spectrum.

Thanks for a great product and look forward to continue to using it to help our quartet.

Walt Lammert

Sight Singing

Posted on February 3rd, 2012 by admin

I’m an aspiring composer, and I use Sing & See primarily to work on my
intonation for sight singing exercises. When I originally purchased the product,
I was taking classical voice lessons, and I had hoped to use the spectrograph
feature to help iron out problems with my technique. A few years ago, however, I
decided to focus more on my composing.

When first doing a sight-singing exercise, I use the Record feature in Sing & See so
I can go back and check my work (I don’t look at the graph while I’m singing the
exercise for the first time, but I do when practicing it afterwards.) It’s not
too cumbersome, but if exercises were included with Sing & See, it would be
great if it could display the correct pitch curve for the exercise and compare
the one the user sings as an overlay, highlighting any deviation from the
correct answer. Then it might be apparent to the user that “fa” is a problem
interval or the minor third “me,” etc, after the user notices that it keeps
coming up as being sung with poor intonation.

Jason

This program is a great help when you have pitching problems

Posted on January 29th, 2012 by admin

This program is a great help when you have pitching problems. It hasn’t yet made me a great singer, but that is not the fault of the program. I have some minor speech difficulties and have now found that I possibly need an operation, but I’m sure the program will help more if you don’t have any problems in this area!

Best of all is the customer service. My installation of the software mysteriously stopped loading and my email requests for assistance were quickly and professionally dealt with. He was even willing to remotely access my PC, but in the end this was not necessary as he found that it was a routine Vista upgrade that was causing the problem. He talked me through changing the settings on the Sing & See program to get it working again. Very pleased with product and service!

by Gareth

Feritta – Professional recording artist

Posted on November 25th, 2011 by Guest

Hi Everyone

My name is a Feritta. I’m a professional recording artist and two time winner of Best Female Solo Artist Australia in the International Music Aid Awards.

Sing&See has been a very helpful tool in assisting my vocal technique and development.

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Rick – Amateur singer

Posted on November 14th, 2011 by Guest

Having been involved in music since a youth, singing in many choirs, I found that neglect and misuse can have a major effect on my vocal skills. So it was with me.

Sure, I have sung in church choirs, but that was about it for the past 20 or so years. I recently accepted a job in Utah and one of the first things that a friend jokingly told me was that I should audition for the Mormon Tabernacle Choir. I accepted their challenge and started the process. For those unfamiliar with the process, basically it is in 3 parts: you send in a CD with you singing a hymn and some vocalises. Next part if you make the first is to take a 3 hour written and auditory musical skills exam. And if you do well, the final phase is a face to face audition with the conductor, associate conductor and a few other folks. Where you sing a hymn and sight read in front of them!

I made it all the way to the third phase where I failed miserably. After that experience, I vowed to improve myself. I am now taking voice lessons (at age 52 by the way), and found the Sing and See software. How I wished I found this earlier.

Using the software and playing back, both visually and hearing myself, I found areas that I can improve. I love how the spectrograph shows you your voice and the areas that you need to work on.

I am more confident that the next round of auditions, I will be improved in those weak areas where I was not really aware until I purchased Sing and See.

Thanks for a great product!

By: Rick Graham

Patrice Barnes – Singing Teacher in Calgary

Posted on November 4th, 2011 by admin
Patrice Barnes has a successful voice studio in Calgary, Alberta and has been using Sing & See with most of her students to great effect. “I cannot say enough good things about Sing and See because daily while working with students, I can find another use for Sing and See. It is the best thing I have been able to introduce to my Studio and all the results are so very positive!”

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Jessie West – singer / songwriter

Posted on October 31st, 2011 by admin
I purchased Sing & See online, in a panic, the very evening I was making my debut performance as one half of a duet at a local open mike. My friend and I had signed up for this well-attended venue weeks in advance, and I had been singing “Bye, Bye Love” over and over, many times a day — singing along with both The Everly Brothers and Simon and Garfunkle recordings, since we were undecided about which version we wanted to use.

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Patrick Cunningham – Voice Studio, Arizona

Posted on October 25th, 2011 by admin
“I have used Sing and See Pro in my voice studio for the past several years. On a weekly basis, I work with 50-60 voice students, ages 7 to 70, from beginners to professionals, all styles of music. The software is especially useful in teaching intonation and breath management. The visual feedback and recording functions greatly simplify objective documentation of student progress.

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Daniel Kay – Djarts Voice Studio, Brisbane

Posted on October 25th, 2011 by admin
Djarts Voice Studios are based in Brisbane Queensland. As a progressive contemporary studio we pride ourselves on delivering effective up-to-date vocal pedagogy in a manner fit for our excellent clientele. We have taken every opportunity to ensure the learning experience is productive. Our engagement of the ‘Sing and See’ vocal analysis software is just one example of how we are continually looking for ways to enhance the lesson time.

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Dianna Rhodes – High School Teaching

Posted on October 25th, 2011 by admin
Diana Rhodes is a registered secondary school teacher who has latterly devoted 10 years of her career to teaching singing in secondary schools in Auckland, New Zealand. She says that she spent several years awaiting software like Sing & See, after she became aware of the possibilities in developing technology, and it has not disappointed her. Here are some of her comments and suggestions for using Sing & See:

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